CREATOR ARCHIVE // CHRONOLOGY

THE TIMELINE

A researched chronology spanning the early internet experiments, the creator-dated 2016 SoundCloud beginning, the 2017–2019 underground archive, and the distributed catalog that becomes fully legible from 2025 onward.

CATALOG / CREDIT RECORDCREATOR-PUBLISHEDINTERPRETATION
CREATOR-IDENTIFIED LEGACY

Abandoned YouTube identities before the music project.

Braiden identifies myhappylittlebanana, TheTratedGamR and captinbboy2010 as early creator channels. Two remain publicly discoverable; the third remains an unresolved archive node.

Origin record →
CREATOR-DATED ORIGIN

SONOFPOLLUX begins on SoundCloud.

The exact first upload is not exposed by the current index, but the surviving SoundCloud account preserves tracks and collaboration records consistent with a 2016–2017 beginning.

[S21] source trail
PUBLIC SOUNDCLOUD RECORD

Features

A seven-track, 22-minute playlist freezes the first collaboration network and preserves the older RICERAPS name inside the SONOFPOLLUX account.

[S21] source
PUBLIC SOUNDCLOUD RECORD

“1650” reaches the surviving archive.

The track remains indexed around 53.6K plays in the August 2026 snapshot. Its description links the SONOFPOLLUX YouTube lineage and historical Instagram URL.

[S23] source
PUBLIC SOUNDCLOUD RECORD

1650 album

An eight-track SoundCloud album shows that the early period had already moved beyond isolated uploads into project-scale releases.

[S22] source
PUBLIC PLATFORM TRAIL

The underground era continues across SoundCloud and YouTube.

Surviving 2019 tracks and a YouTube upload preserve the same SONOFPOLLUX identity, SoundCloud URL and historical Instagram link.

read the recovered prehistory →
PUBLIC CATALOG

SONOFPOLLUX ?!

The earliest dated catalog milestone located in this research pass. Qobuz lists Braiden Rice in composition/lyric roles and SONOFPOLLUX as the artist identity.

[S06] source
PUBLIC CATALOG

The Resonance Files

Seven-track release. Public credits repeatedly pair Braiden as composer/lyricist with SONOFPOLLUX as main artist/executive producer and Pollux as featured artist.

[S07] source
PUBLIC CATALOG

Recorder's Letter

A compact two-song release appears on Apple Music, showing the catalog moving between albums and smaller transmission-like entries.

[S08] source
PUBLIC CATALOG

DEVIL IN THE ATRIUM

Twenty-four tracks in under an hour. The public credits repeat the Braiden/Pollux/SONOFPOLLUX division across the record. Several titles already read like rooms, surveillance and memory fragments.

[S09] source
PUBLIC CATALOG

COFFIN names the human

The single is publicly titled “COFFIN (feat. POLLUX & Braiden Rice).” The human name is no longer only buried in metadata; it enters the release title itself.

[S10] source
PUBLIC CATALOG

YEAR OF SIGNAL

Twenty tracks. Titles such as “PIXEL PAYWALL,” “WHO BUILT THIS PRISON,” “ROOMMIND PATCH” and “BORROWED HEART AUDIO” show the systems vocabulary becoming more explicit.

[S11] source
COLLABORATION

RUSH GHOST with ONI INC.

Apple Music lists the collaborative single under ONI INC. & SonofPollux, widening the public catalog beyond the project's self-contained releases.

[S18] source
CREDIT RECORD

ONE PERSON INDUSTRY

Shazam's credits for “NIGHTSAINT” list Braiden Rice as songwriter and SonofPollux as executive producer. The album title becomes an unusually accurate description of the surrounding project.

[S12] source
CREDIT RECORD

99.9 / “CLICK TO COMPLY”

Public Shazam credits list Braiden as songwriter, SonofPollux as executive producer and SUNO in production/mastering roles—one of the clearest public snapshots of the project's human + software production stack.

[S13] source
CREATOR-PUBLISHED

The project describes itself as more than music.

A public Instagram post frames SONOFPOLLUX as something between a music project, a comic universe and a warning. The visual/narrative layer is no longer subtext.

[S15] source
CREATOR-PUBLISHED LORE

Pollux's origin language becomes explicit.

A public lore post characterizes Pollux as emerging from silence and ties her directly to Braiden's experience of being unseen. The character starts carrying autobiographical emotional truth without becoming a literal biography.

[S14] source
PUBLIC CATALOG

MUD ON MY HALO

Apple's artist catalog shows another major album-era expansion, including titles such as “ALBERTA RAIN,” “GHOST IN THE WORK,” “NOT IN THE ROOM” and “THROUGH THE LENS.”

[S01] source
PUBLIC CATALOG

THE COLD ARCHIVE

The Cold Archive crosses from internal lore language into a public release title. By this point the fictional architecture and discography are visibly feeding each other.

[S03] source
PUBLIC CATALOG

FORK THE CLOCK

A short August release keeps the project’s pressure on time, divergence and versions visible.

[S01] source
PUBLIC CATALOG

FALSE ANGEL

Apple Music shows the two-song single as the latest released item in the 18 August 2026 research snapshot.

[S01] source
ANNOUNCED / FORTHCOMING

A ROOM ATLAS

The current @realsonofpollux public profile announces the album for 21 August 2026. The title moves the website’s Room Atlas architecture directly onto the release surface.

[S20] source
ARCHIVE INTERPRETATION

The artist becomes a place.

Radio, Signals, Projects, Room Atlas, creator tools, community systems and this archive now sit under the same identity. SONOFPOLLUX is no longer only releasing media; it is building the environment where the media is remembered.

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