YouTubeOpen channel ↗
479subscribers
78,564channel views
147public videos
Aug 2026 fallback snapshotCatalog dossier →
SONOFPOLLUX MUSEUM // PUBLIC RECORD + CREATOR MEMORY + LORE
THE ROOMS REMEMBER.
This is the navigable archive: not one biography, not one lore dump, and not a claim that every missing link has been recovered. It preserves the project in eras—early internet identities, the living YouTube catalog, the Spotify/distributed catalog, producer work, Pollux, and the systems that grew around the music.
CURRENT CATALOG PULSE
The active signal.
SNAPSHOTAutomatic refresh checks every 12 hours
SpotifyOpen artist ↗
973monthly listeners
The Museum tracks the public audience signal Spotify exposes on the artist page. It does not invent total-stream or follower numbers that the current public developer surface does not provide.
Aug 18, 2026 fallback snapshotCatalog dossier →
2016creator-dated music start
34numbered public source records
7Museum eras / dossiers expanding
Catalog facts, dated evidence, artifacts and snapshots that can be inspected without entering the fiction.
You are here →Braiden, credits, origins, production context and the person carrying the work outside the rooms.
Open creator record →Memory, facility reports, room contamination and contradictions that are allowed to stay unresolved.
Enter the story →ERA MAP
Six versions of the same signal.
These eras overlap. They are navigation aids, not claims that the project cleanly reinvented itself on a specific day.
c. 2012–2013
Early Internet
Abandoned channels, gaming culture and creator identities before SONOFPOLLUX became the music name.
2016–2019
Underground Music Era
Independent releases, collaborations, old handles and surviving platform traces from before the current catalog system.
Producer bridge
Beat-Making / Production
Braiden Rice and SONOFPOLLUX appear together on a surviving public producer storefront.
2025 →
Living Video Catalog
YouTube becomes the most visible continuously updated public catalog for releases, shorts, visual experiments and archive traces.
2025–2026
Pollux Emerges
The fictional witness becomes increasingly visible across credits, visuals and the project's public language.
2026 →
Living Archive
Rooms, Cold Archive, games, creator tools and the website itself begin operating as part of the work.
MEMORY THREADS / CURATED ROUTES
Do not open every drawer.
Choose one contradiction and follow it across music, public record, lore and the Room Atlas. The archive will keep your current-session trace as you move.
THREAD 01 / INSPECTION
4 records →
FALSE ANGEL
Release → case file → White Room. Follow the version that passed inspection.
THREAD 02 / DELETION
4 records →
THE COLD ARCHIVE
Release → missing drawer → Cold Archive → Castor. Follow what the facility says was never moved.
THREAD 03 / IDENTITY
4 records →
THE RESONANCE FILES
Release → case file → credits → Pollux. Follow the name before it becomes a person in the archive.
SELECTED ARTIFACTS
Open a drawer.
Search by release, platform, person, era or concept. Every page states whether its key claims come from public evidence, creator identification, or interpretation.
The living YouTube catalog
The active channel is the Museum's primary moving catalog: releases, shorts, visual experiments and surviving traces from earlier creator eras.
AUTO-UPDATED PULSE↗
The streaming catalog
The current artist page anchors the distributed release history and exposes a changing monthly-listener signal that the Museum can monitor.
AUTO-UPDATED PULSE↗
FALSE ANGEL
The two-song single is the latest released item in the August 18, 2026 catalog snapshot used by the Creator Archive.
PUBLIC CATALOG↗
The Resonance Files
A seven-track release where Braiden, SONOFPOLLUX and Pollux become unusually legible as distinct public credit roles.
PUBLIC CATALOG↗
The Cold Archive crosses over
The fictional memory repository becomes a public release title, making the boundary between discography and Room Atlas intentionally porous.
ARCHIVE RELATION↗
Before the music name
Abandoned YouTube identities including myhappylittlebanana and TheTratedGamR reveal the pre-music internet years; captinbboy2010 remains unresolved.
CREATOR-IDENTIFIED↗
BeatStars producer profile
A public Braiden Rice / SONOFPOLLUX producer profile with ten visible products preserves the beat-making side of the project.
PUBLIC RECORD↗
Features playlist
A surviving seven-track, 22:13 SoundCloud playlist preserves the collaboration network from the early SONOFPOLLUX era.
PUBLIC RECORD↗
1650
The most visible surviving SoundCloud artifact: the track snapshot shows roughly 53.6K plays, followed by an eight-track release.
PUBLIC RECORD↗
Nothing in the current Museum index matches that search yet.
HOW TO READ THIS PLACE
Evidence before mythology.
The Museum can hold both reality and fiction without pretending they are the same kind of fact.
Public record
Dated catalog pages, public channel pages, counters, public credits and surviving platform descriptions.
Creator-identified
History Braiden identifies as his own when the surviving platform record cannot independently prove ownership or date.
Archive relation
A documented connection between releases, rooms, symbols or language without claiming it was always planned.
Lore
Pollux, Castor, the Rooms and the facility belong to the fiction. They can illuminate the work without rewriting the human record.
Counter policy: the current YouTube/Spotify pulse refreshes through a server-side cache and always shows its source state. If a platform blocks or changes its public surface, the Museum keeps the last good value or an explicitly labeled fallback snapshot instead of displaying zero or guessing.