A catalog chronology built from the public evidence already documented in the Creator Archive. This is not a claim that every song is autobiographical or every repeated word is intentional lore. It is a way to watch the project's language accumulate.
Braiden dates the SONOFPOLLUX music beginning to 2016 on SoundCloud. Surviving public records preserve the 2017 Features playlist, the 2018 eight-track 1650 album, a 53K+ play title track, later 2019 uploads, and cross-links into the historical Instagram and YouTube identity.
00The earliest dated distributed-catalog milestone located in the original Creator Archive research pass. Public metadata already separates Braiden's writing credit from the SONOFPOLLUX artist identity.
01A seven-track release where the recurring public credit split among Braiden, SONOFPOLLUX and Pollux becomes unusually legible. The project is already more than one name speaking in one role.
02A compact two-song release. In retrospect, the title reads comfortably beside the later transmission/archive language, but the Archive keeps that as relation rather than proof of a master plan.
03Twenty-four tracks in under an hour. Surveillance, rooms, memory fragments and repeated identity pressure begin to resemble the architecture that will later become explicit across the Portal.
04The public feature credit includes both POLLUX and Braiden Rice. The human name is no longer only discoverable in metadata; it appears on the release surface itself.
05Twenty tracks. Systems language becomes difficult to miss: paywalls, prisons, patches and borrowed audio appear directly in titles. The vocabulary that later shapes the Portal is becoming public catalog language.
06A public collaboration with ONI INC. The catalog briefly opens outward, showing SONOFPOLLUX functioning inside someone else's release context rather than only inside its own archive.
07The title becomes a useful description of the surrounding operation: songs, lore, websites, tools, visuals and release infrastructure increasingly behave like one creator-run system.
08The era containing CLICK TO COMPLY. Public Shazam credits expose the human songwriter, executive-producer identity and software production/mastering roles side by side.
09Work, weather, absence and not being in the room become part of the catalog surface. The language is more human while still fitting the later room architecture.
10The fictional archive crosses into the public release title. From here, the separation between discography, website architecture and Pollux's memory model becomes intentionally porous.
11An August release that keeps the catalog's long-running pressure on time, versions and diverging states alive.
12Apple Music shows the two-song single as the latest released item in the 18 August 2026 research snapshot.
13Announced on the current SONOFPOLLUX social profile for August 21. At the time of this archive snapshot it is forthcoming, not yet counted as a released catalog item.
14