Catalog & credits
Apple Music, Qobuz, Shazam and Muso.AI are used for dated releases and listed credit roles.
This is the research spine of the Creator Archive. It records what was public, where it came from, and what the archive actually used it to support.
Apple Music, Qobuz, Shazam and Muso.AI are used for dated releases and listed credit roles.
Public Instagram, YouTube, Steam and PixelPetStudio profiles are used for what the creator/project intentionally says about itself.
Patterns across titles, product design and current canon are clearly marked as interpretation rather than biography.
Current catalog, 2025–2026 albums/singles, current release ordering. Used for release chronology only; popularity figures are intentionally not archived because they change.
open public source ↗Public artist profile. The indexed bio frames SONOFPOLLUX through heartbreak, internet culture and emotional transformation. The Museum's Spotify Catalog keeps the changing public monthly-listener signal separate from this source record.
open public source ↗Public channel description and releases. Indexed description identifies dark trap/drill/electronic-rap, anime-inspired visuals and cyber-goth aesthetics.
open public source ↗Public personal profile points visitors toward @realsonofpollux. Used only to connect the creator identity to the project.
open public source ↗Public profile identifies ownership of SONOFPOLLUX.com and PixelPetStudio.com and mentions game modding. This archive intentionally omits precise location and social graph data from the profile.
open public source ↗Indexed release date: 26 Feb 2025. Public credits include Braiden Rice in composer/lyric roles.
open public source ↗Released 30 Jun 2025. Seven tracks. Public credit pattern: Braiden Rice composer/lyricist; SONOFPOLLUX main artist/executive producer; Pollux featured artist.
open public source ↗Release dated 14 Oct 2025; two songs.
open public source ↗Released 16 Oct 2025; 24 tracks. Repeated Braiden composer/lyricist and SONOFPOLLUX executive-producer credits; Pollux and Sylvan appear as featured artists on selected tracks.
open public source ↗Release dated 5 Nov 2025. Notable because Braiden's name appears in the public release title, not only metadata.
open public source ↗Released 26 Dec 2025; 20 tracks; public Braiden composer/lyricist and SONOFPOLLUX main artist/executive producer credits.
open public source ↗Released 11 Mar 2026 as part of ONE PERSON INDUSTRY. Lists Braiden Rice as songwriter and SonofPollux as executive producer.
open public source ↗Released 20 Apr 2026 as part of 99.9. Lists Braiden Rice as songwriter, SonofPollux as executive producer, and SUNO in instrument/mastering roles.
open public source ↗Public May 2026 lore post describes Pollux through silence and directly ties her narrative function to Braiden.
open public source ↗Public 24 May 2026 post explicitly broadens SONOFPOLLUX beyond a music-only identity.
open public source ↗Public channel centered on AI-powered animal stories and PixelPet Studio content.
open public source ↗Public posts describe a living-world / indie-game direction with animals, bugs, weather and simulation details.
open public source ↗Collaborative single by ONI INC. & SonofPollux, dated 9 Jan 2026.
open public source ↗Indexed credit listing identifies Braiden Rice as lyricist and shows additional musician/producer roles for the track.
open public source ↗Primary public social profile used for creator-owned lore and project statements.
open public source ↗Dated 28 November 2017. Seven tracks, 22:13. Preserves early collaborations, older naming such as RICERAPS inside the SONOFPOLLUX account, and a current public profile counter around 1.2K followers in the August 2026 snapshot.
open public source ↗Dated 27 April 2018. Eight-track album, 19:23. Confirms an album-shaped SONOFPOLLUX project well before the modern distributed catalog.
open public source ↗Dated 4 March 2018 and indexed around 53.6K plays in August 2026. The archived description links the SONOFPOLLUX YouTube channel lineage and the historical instagram.com/sonofpollux/ URL, making it a useful continuity record.
open public source ↗Public pages for “Heaven” and “Dead Now” preserve 2019 timestamps and four-figure / high-hundreds play snapshots, showing continued activity after the 1650 era.
Surviving upload description links the SONOFPOLLUX SoundCloud and historical Instagram identity and advertises a planned 2019 album, preserving the project’s cross-platform continuity.
open public source ↗Braiden identifies this as an abandoned early creator channel. The public channel is still discoverable; the August 2026 search index shows roughly 335 subscribers and uploads from about thirteen years earlier.
open public source ↗Braiden identifies this as another abandoned early channel. Search-index snapshots show roughly 2.48K subscribers and surviving gaming/animation/variety uploads.
open public source ↗One surviving 2013-era upload is indexed around 37K views and 179 likes, showing that the pre-music creator history included experimentation with public-facing video long before SONOFPOLLUX became a music identity.
open public source ↗Public profile titled Braiden Rice on the SONOFPOLLUX path, with ten products/tracks and links back into the wider creator footprint. Useful identity evidence between the underground SoundCloud period and the modern catalog.
open public source ↗Search-index snapshot observed around 23K followers and 281 posts. Counters are intentionally timestamped because platform values can move or be rounded.
open current profile ↗The 2018 SoundCloud “1650” description promoted instagram.com/sonofpollux/. That handle now resolves to a private profile with different presentation, so the Archive records the URL only as historical evidence and does not claim it as a current official account.
current destination of historical URL ↗Public credit profile further links the human creator name to SONOFPOLLUX across registered music credits.
open public source ↗The dated archive snapshot records the current public artist channel around 479 subscribers and 147 videos. The Museum now keeps a separate moving Catalog Pulse for current counters so this Source Ledger can remain a point-in-time evidence record.
open current channel ↗A surviving 2018 public post from CRAN references a track with @sonofpollux, adding a third-party trace of the handle in the same pre-distribution period.
open public source ↗Public record where possible.
Creator testimony where appropriate.
No invented biography.